final ideas/Story and narrative

Final ideas.
PLOT SYNOPSIS. STORY BOARD LIST.

• Our film will start as a low angle shot in an office as the two detectives are working, discussing how they plan to bring this new suspect in to justice. We are going to use a low angle shot thus making the audience look up to the detectives thus portraying them as powerful. This also portrays the office environment to the audience and also the roles and importance of the characters. The abnormality with the opening shot being a low angle creates an uneasy feel for the audience as this is not expected but creates disorientation that conforms to the conventions of thriller. We all also be subverting general expectations as we will not begin with an establishing shot therefore the surroundings will not be shown therefore making the audience feel enclosed and trapped within the office environment. This further more creates a tense atmosphere for the audience thus making them feel unneasy and also filling them with suspense.

• The scene continues with a long shot of the room, this further more allows the audience to feel engaged with the narrative as at first there vision is contrained creating tension and disorientation and therefore conforming to the conventions of a thriller. As the audiences vison will be opened up, this will allow them to embrace the scene and setting thus taking in the office atmosphere and the props within the scene. This further allows the audience to feel engaged as a clear grasp of the narrative. The long shot also allows the audience to view the characters from head to toe therefore allowing the mise en scene for example there dress to be shown thus making connotations about there charcter.

• A two-shot follows as the two detectives are in coversation. The scene continues with a close up in the office as a telephone rings. this gives the the object more significance and further more draws the audeince closer in to engagage them withing the narrative. The phone ringing also offers a sinister feel to the film as we are taking everyday objects and utilised.

• A mid shot of one detective as he picks up the phone and is in conversation. A close up folllows to indicate to the audience the detectives emotion as he is shocked from the news he hears.

• A two shot follows  the phone scene as the two detectives converse. This follows general conventions as this is what is expected in thrillers. The two detectives continue to converse  as we will feature a shot reverse shot to portray this to the audience. This will enbale the audience to feel engaged in the narrative as they will be made to feel as if they are involved withing the conversation.


• A high angle shot follows as the detectives are informed the suspect is held in an interview room as he hands himself in. Point of view shots will then follow as both detectives make their way to the interview room. we will use hand held camera movemnts for this to portray a nervous ideology about the narrative.
• The Point of view shot will last for a few seconds as the detectives make their way. A side ways panning shot will portray the detectives preparing for the encounter with the villain.


• A cut to a close up of the door handle follows and we will transit with a fast cut to a mid shot of the villain behind a desk in the interview room and then transit to a long shot portraying the detectives walking in and also the villain. This allows the audience to gain a clear grasp of the narrative and characters as our props will portray ideologies about our characters thus conforming to props character theory in a sense that the audience will recognise who role what character play.


• Two shots and over shoulder shots will follow as the detectives question the villain about his crimes. The shots will repaeat after each other to portray changes in facial expressions thus including the audience within the narrative, allowing the audeience to feel engaged.


• The scene progresses as a sudden cut during silience in dialogue as the detctives wait for an answer from the villain. The shot will transit suddenly to a close up of a clock ticking. This is when we will utilise an emphasis of non diegetic sound as the abnormality of the loudness of the clock will only be heard by the audience. This is done to create suspense and to also portray time. This keeps the audience of edge and further more creates tension thus conforming to the conventions of a thriller.


• A close us follows of the villain as he smiles after the suspense filled wait. a close up of his hand follows as he clicks his fingers and the lights turn off and on. as the lights come back on the villain is gone. A Long shot follows as the detectives are left in bewilderment as to the abnormality of the villains mysteriouse strenghts. This add to the mystery, tension and suspense conforming once again to the conventions of a thriller.


• A tracking shot follows as the detectives run out of the room in chase. At which point we will feature a point of view shot as the detectives see the villain at the stairs. a shot reverse shot occurs and then a point of view shot follows as the audience will be viewing the villain through the detectives eyes once more viewing the villain smerking as he clicks his fingers one last time at which point the lights will black out and the credits will appear.